![]() ![]() The familiar Eos Family programming keypad has been enhanced with a touchscreen that thumps with haptic feedback when you press your soft keys or mapped content. New-to-the-industry technologies provide programmers access to their most-used tools – right on the face panel. The luxurious innovations extend to the programming surface as well. With an ergonomically redesigned wrist-rest, book lights built into the sides of the desk, hand-holds for easy carrying, and drawers and charging ports for your accessories, Eos Apex is the ultimate workspace for high-level programmers. The displays articulate on a dual-axis and feature a 160-degree viewing angle, so you can see all your tools and data from anywhere along the programming surface. The massive multitouch displays offer generous screen real estate for Magic Sheets, Direct Selects, and Augment3d models, and feature eye-strain-reducing 4K resolution. Eos Apex consoles prioritize the user experience with creature comforts to ease those long hours behind the desk. With three sizes to choose from – the Eos Apex 5, 10, and 20 – this latest release ushers in the next generation of ETC’s flagship controls line.Ī lighting control desk is more than just a powerful piece of hardware – it is your home away from home when you’re working on a show. Also loved the idea of 2 touch screens,27′ and 4K would mean a lot less eye strain.Īs production continues to resume around the world, lucky programmers will be greeted with a powerful and elegant new lighting control desk: the Eos Apex console. The idea of haptic feedback seems to be rather smart, you get feedback of a task whilst looking at the scene. Things look like they fall naturally under your hands, even us left-handed folk should be able to easily operate this desk. It is designed for operator comfort and not an engineer’s layout. I look forward to the time I can get behind one of these consoles and test drive it. ![]() The did arouse the feeling of console envy. These new consoles are the flagship of the EOS range. I got up sort of early to watch the launch of the newest member of the EOS family from ETC. Offers various control options including DMX, Art-Net, sACN, RDM, NFC, and Aria X2 for convenient and flexible setup.Sky Motion system transforms the luminaire into a searchlight and skytracker, expandable for non-lighting users.Graphics innovation includes rotating replaceable glass gobos, static-fixed metal gobos, and a Tri-Tier Animation system for dynamic visual effects.Revamped CMY color mixing system with 16-position color wheel for seamless transitions and instant color changes.Features Elation’s Fast Advanced Features (FAF) initiative for enhanced speed and precision in various attributes.Boasts an advanced optical system with auto-focus for increased efficiency.Utilizes the innovative Philips™ MSD Platinum FLEX 500 lamp, providing up to 4,000 hours of lamp life and producing 22,000 lumens of brilliance.Offers true linear zoom, allowing for a wide range of powerful effects from a 1.8° shaft of light to a 45° wide beam.The Proteus Hybrid MAX sets a new standard in the industry, surpassing competitors in terms of speed, brightness, and durability.It builds upon the success of the Proteus series, offering increased power and versatility in a more compact design.Elation Professional introduces the Proteus Hybrid MAX™, a revolutionary advancement in hybrid lighting technology.Maybe shutter encoder could have the option for manually adding in the audio tracks you want just like in handbrake. or is it a fault with shutter encoder or the audio sound tracks. ![]() Is there anyway to force shutter encoder to use the audio tracks ripped from the mkv file. I am currently trying encoding it again but with aac selected instead of Dolby digital. I get all the sound effects, etc and music, but there is no dialogue. Upon selecting multiple on the audio channels and upon completing the encoding. After ripping to mkv, i have tried to encode no time to die to h.264 mov. I am having some issues with shutter encoder. ![]()
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